<p>In <em>Treme</em>, Jaimey Fisher analyzes how the HBO television series <em>Treme</em> (2010-13) treads new ground by engaging with historical events and their traumatic aftermaths, in particular with Hurricane Katrina in 2005 and subsequent flooding in New Orleans. Instead of building up to a devastating occurrence, David Simon's much anticipated follow-up to <em>The Wire</em> (2002-08) unfolds with characters coping in the wake of catastrophe, in a mode that Fisher explores as "afterness." <em>Treme</em> charts these changes while also memorializing the number of New Orleans cultures that were immediately endangered.</p><p>David Simon's and Eric Overmyer's <em>Treme </em>attempts something unprecedented for a multi-season series. Although the show follows, in some ways, in the celebrated footsteps of <em>The Wire</em>-for example, in its elegiac tracking of the historical struggles of an American city-Fisher investigates how <em>Treme</em> varies from <em>The