Thomas Hardy and the Folk Horror Tradition av Dr. Alan G. Smith, Professor or Dr. Robert Edgar, Dr. John Marland

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<i>Thomas Hardy and the Folk Horror Tradition</i> takes the uncanny and unsettling fiction of Thomas Hardy as fundamental in examining the lineage of ¿Hardyan Folk Horror¿. Hardy¿s novels and his short fiction often delve into a world of folklore and what was, for Hardy the recent past. Hardy¿s Wessex plays out tensions between the rational and irrational, the pagan and the Christian, the past and the ''enlightened'' future. Examining these tensions in Hardy''s life and his work provides a foundation for exploring the themes that develop in the latter half of the 20th century and again in the 21st century into a definable genre, folk horror<i>. </i> This study analyses the subduing function of heritage drama via analysis of adaptations of Hardy''s work to this financially lucrative film market. This is a market in which the inclusion of the weird and the eerie does not fit with the construction of a past and its function in creating a nostalgia of a safe and idyllic picture of England¿