The Suicidal State theorizes a biopolitics of suicide by mapping the entwinement between the Progressive-Era discourse of ¿race suicide¿ and period representations of literary suicide. Against the backdrop of the turn-of-the-century debates over immigration restrictions, ¿race suicide¿ suggests white Americans' low birth rate as foretelling an immanent extinction of the white race, prefiguring the contemporary white nationalist discourse, ¿replacement theory.¿ While race suicide personified the populational subject--the ¿race¿--as a suicidal individual, Progressive-Era literature gave birth to a microgenre of literary suicides, including works by Henry James, Kate Chopin, Jack London, Gertrude Stein, and a series of Madame Butterfly texts. The Suicidal State argues that suicides in these texts literalize the fear of race suicide as they thwart the biopolitical demands for self-preservation, survival, and reproduction, articulating queer deathways that betray the nation's reproductive i