Sixty years after its release, Singin'' in the Rain (1951) remains one of the best loved films ever made. Yet despite dazzling success with the public, it never received its fair share of critical analysis. Gene Kelly''s genius as a performer is undeniable. Acknowledged less often is his innovatory contribution as director. Peter Wollen''s illuminating study of Singin'' in the Rain does justice to this complex film. In a brilliant shot-by-shot analysis of the famous title number, he shows how skilfully Kelly weaves the dance and musical elements into the narrative, successfully combining two distinctive traditions within American Dance: tap and ballet. At the time of the film''s production, its scriptwriters Betty Comden and Adolph Green, and indeed Kelly himself, were all under threat from McCarthyism. Wollen describes how the fallout from blacklisting curtailed the careers of many of those who worked on the film and argues convincingly that the film represents the high point in their