Since She Bop was first published in 1995, digital downloading has transformed the music landscape. But has issue of gender inequality changed too?<BR/><BR/> For <I>She Bop</I>, Lucy O’Brien conducted over 250 interviews with female artists and women working behind the scenes in A&R, marketing, music publishing, and production to write a groundbreaking exploration of sexism in the music industry. Fusing many untold stories, O’Brien presents a feminist history of women in popular music, from 1920s blues to the present day. Talking to iconic artists from Eartha Kitt and Nina Simone to Debbie Harry, Poly Styrene, and Beyoncé, she charts how women have negotiated "old boy" power networks to be seen and to get their music heard.<BR/><BR/> This revised edition updates that story through many fresh interviews and new perspectives. In a new introduction and additional closing chapter, O’Brien asks why, in 2020, women own just 13 percent of music publi