Shakespeare in the Global South av Sandra (University of Cape Town South Africa) Young

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Contemporary adaptations of Shakespeare''s plays have brought into sharp focus the legacies of slavery, racism and colonial dispossession that still haunt the global South. Looking sideways across the Atlantic and Indian Oceans to nontraditional centres of Shakespeare practice, <i>Shakespeare in the Global South</i> explores the solidarities generated by contemporary adaptations and their stories of displacement and survival. The book takes its lead from innovative theatre practice in Mauritius, North India, Brazil, post-apartheid South Africa and the diasporic urban spaces of the global North, to assess the lessons for cultural theory emerging from the new works.<br/><br/> Using the ''global South'' as a critical frame, Sandra Young reflects on the vocabulary scholars have found productive in grappling with the impact of the new iterations of Shakespeare''s work, through terms such as ''creolization'', ''indigenization'', ''localization'', ''Africanization'' and ''diaspora''. Shakespe