<p><strong>Legacies of modernism reappraised and reconstructed in an epic project by Ren¿Green</strong></p><p>American artist Ren¿Green (born 1959) spent two years engaged with the Carpenter Center for the Visual Arts at Harvard University, during which she presented a series of interlinked public programs and exhibitions, culminated with her major exhibition <I>Within Living Memory</I> (2018). Green¿s Carpenter project, <I>Pacing</I>, is a meditation spurred by inhabiting an architectural icon¿Le Corbusier¿s Carpenter Center¿while exploring the historical and institutional legacies of modernism¿s other forms, including cinema, visual art, poetry, music and literature.<br><br>This handsome publication illuminates Green¿s unfolding process, with a sequence of exhibitions that took place from 2015 and culminating in <I>Pacing: Facing</I> in Toronto; <I>Tracing</I> in Como, Italy; <I>Placing</I> in Berlin; <I>Spacing</I> in Lisbon; and <I>Begin Again, Begin Again</I> in Los Angeles. The r