Realist Film Theory and Bicycle Thieves av Hilary (University of Vermont USA) Neroni

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The Film Theory in Practice series fills a gaping hole in the world of film theory. By marrying the explanation of a film theory with the interpretation of a film, the volumes provide discrete examples of how film theory can serve as the basis for textual analysis. <i>Realist Film Theory and </i>Bicycle Thieves offers a concise introduction to realist film theory in jargon-free language and shows how this theory can be deployed to interpret Vittorio De Sica¿s 1948 Italian neo realist masterpiece <i>Bicycle Thieves</i>. Hilary Neroni explores the original realist film theorists from the 1940s: Andr¿azin, Siegfried Kracauer, and Cesare Zavattini, among others. But rather than seeing realist film theory as simply a theory of the past to be moved beyond, the book argues that the prevalence of realism in many different forms within practice and theory suggests the importance of updating this original realist film theory with an understanding of realism that would sustain its viability. Thro