Race and Performance after Repetition

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The contributors to <I>Race and Performance after Repetition</I> explore how theater and performance studies account for the complex relationship between race and time. Pointing out that repetition has been the primary point of reference for understanding both the complex temporality of theater and the historical persistence of race, they identify and pursue critical alternatives to the conceptualization, organization, measurement, and politics of race in performance. The contributors examine theater, performance art, music, sports, dance, photography, and other forms of performance in topics that range from the movement of boxer Joe Louis to George C. Wolfe''s 2016 reimagining of the 1921 all-black musical comedy <I>Shuffle Along</I> to the relationship between dance, mourning, and black adolescence in Flying Lotus''s music video “Never Catch Me.” Proposing a spectrum of coexisting racial temporalities that are not tethered to repetition, this collection reconsiders centra