<P>This new edition of<I> Physical Theatres: A Critical Introduction</I> continues to provide an unparalleled overview of non-text-based theatre, from experimental dance to traditional mime. It synthesizes the history, theory and practice of physical theatres for students and performers in what is both a core area of study and a dynamic and innovative aspect of theatrical practice. </P><P>This comprehensive book:</P><UL><P><LI>traces the roots of physical performance in classical and popular theatrical traditions</LI><P></P><P><LI>looks at the Dance Theatre of DV8, Pina Bausch, Liz Aggiss and J¿me Bel </LI><P></P><P><LI>examines the contemporary practice of companies such as Th¿re du Soleil, Complicite and Goat Island</LI><P></P><P><LI>focuses on principles and practices in actor training, with reference to figures such as Jacques Lecoq, Lev Dodin, Philippe Gaulier, Monika Pagneux, Etienne Decroux, Anne Bogart and Joan Littlewood. </LI><P></P></UL><P></P><P>Extensive cross references e