<b>A haunting collection that inhabits a disquieting future where fear is the governing body, “the organ and the tissue / and the cell, the membrane and the organelle.” <br><br></b><p><span>“Once there were oarfish, opaleyes, olive flounders. Once the oxbows were not overrun with nitrogen.” Part requiem, part bedtime story, </span><i>Meltwater</i><span> narrates the awful possibility of doom as well as the grim temptation to numb ourselves to it. Prose poems melt into erasures, erasures swell into lush catalogs. Within this formal ebb and flow, Claire Wahmanholm explores both abundance and annihilation, giving shape and music to our shared human anxieties. What does it mean to bring children into a world like this one? A world where grenades are “the only kind of fruit we can still name”? Where “lightning can strike over / and over without boredom or belief and nothing / is saved”? Where losses, both ecological and personal, prolifer