<B>Maria Lassnig’s biography documents her boundary-breaking journey as an artist, from her humble beginnings in Austria to her exposure to international art in the 1940s, and on to New York, where, together with Louise Bourgeois, she plunged into the exploding women’s movement there. Later in life she returned to Austria, she became the <b>first</b> woman <b>professor of painting</b> in the German-speaking countries Lassnig caused a sensation with numerous solo exhibitions, from the Venice Biennale to the Documenta to the MoMA in NY.</B><BR><BR>Lassnig’s story is both exemplary and extraordinary for a woman of her generation—exemplary in terms of the hurdles and pitfalls that women in general, and female artists in particular, had to face in those years. She struggled her whole life against the usual stereotypes about women: in her youth, against her mother’s desire that she “marry up”; in relationships with men,