London's Arts Labs and the 60s Avant-Garde av David Curtis

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<P>This is the story of two short-lived artist-run spaces that are associated with some of the most innovative developments in the arts in Britain in the late 1960s. The Drury Lane Arts Lab (1967¿69) was home to the first UK screenings of Andy Warhol''s twin-screen 3 hour film <i>Chelsea Girls</i>, challenging exhibitions (John and Yoko / John Latham / Takis / Roelof Louw), poetry and music (first UK performance of Erik Satie''s 24-hour <i>Vexations</i>) and fringe theatre (People Show / Freehold / Jane Arden''s <i>Vagina Rex and the Gas Oven</i> / Will Spoor Mime Theatre). The Robert Street ''New Arts Lab'' (1969¿71) housed Britain''s first video workshop TVX, the London Filmmakers Co-op''s first workshop and a 5-days-a-week cinema devoted to showing new work by moving-image artists (David Larcher / Malcolm Le Grice / Sally Potter / Carolee Schneemann / Peter Gidal). It staged J G Ballard''s infamous <i>Crashed Cars</i> exhibition and John & Dianne Lifton''s pioneering computer-aided