Jeanne Dielman, 23, quai du commerce, 1080 Bruxelles av Catherine (University of Otago New Zealand) Fowler

199,-

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<b>¿Lucid, lively and extremely knowledgeable.¿ <i>Sight & Sound</i></b>Catherine Fowler¿s study positions Jeanne Dielman as a ¿contrary¿ classic, its contrariness arising from director Chantal Akerman¿s decision to frame an unliberated housewife through a kind of ¿slow looking¿. By choosing to stay with Jeanne in the kitchen, the film both ¿differences¿ the canon and diverges from Akerman¿s liberated early films, which involved the rejection of domestic space, married life and the heterosexual script.Fowler draws on original footage, scripts, unmade and unseen projects, interviews and other documents to painstakingly piece together the making of the film, discovering an alternative origin story which centers upon female alliances, forged through a combination of shared film culture and lived sexism. Those viewers who take up Akerman¿s invitation to spend time with Jeanne will find their expectations of cinema are changed. Because more than any other film before or since, it reminds us