Isa Genzken av Andre Rottman

249,-

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<b>A strikingly original analysis of Isa Genzken’s move towards merging sculptural and architectural morphologies into the critique of commodity culture.</b><br><br><i>Fuck the Bauhaus</i>, made in the year 2000 out of quotidian objects and cheap materials foraged from New York City by the German artist Isa Genzken, marked a poetic and provocative departure from Genzken’s earlier work. Since the 1970s, Genzken’s “post-Minimalist” works had been like ruins in reverse, conjuring the haunting specters of recent catastrophe, destruction, and failure in the United States, while also playfully suggesting a degree of freedom and elevation.<br> <br>Analyzing how this mode gave way to a new penchant for appropriation, collage, and montage, André Rottmann offers a strikingly original analysis of Genzken’s move towards merging sculptural and architectural morphologies into the critique of commodity culture. In this new addition to the One Work serie