<b>“The best novel William Gibson has ever written about the world we’re entering daily. <i>Neuromancer</i> made Gibson famous; <i>Idoru</i> cements that fame.”—<i>The Washington Post Book World</i></b><br><br><i>21st century Tokyo, after the millennial quake. Neon rain. Light everywhere blowing under any door you might try to close. Where the New Buildings, the largest in the world, erect themselves unaided, their slow rippling movements like the contractions of a sea-creature...</i><br><br>Colin Laney is here looking for work. He is an intuitive fisher for patterns of information, the “signature” an individual creates simply by going about the business of living. But Laney knows how to sift for the dangerous bits. Which makes him useful—to certain people.<br> <br> Chia McKenzie is here on a rescue mission. She’s fourteen. Her idol is the singer Rez, of the band Lo/Rez. When the Seattle chapter of the Lo/Rez fan club decided that he