<p><b>The first English translation of one of the earliest and most brilliant art-historical surveys, from one of the greatest modern art historians</b><br><br>Alo¿Riegl (1858¿1905) was one of the greatest modern art historians. The most important member of the so-called Vienna School, Riegl developed a highly refined technique of visual or formal analysis, as opposed to the iconological method championed by Erwin Panofsky with its emphasis on decoding motifs through recourse to texts. Riegl pioneered new understandings of the changing role of the viewer, the significance of non¿high art objects such as ornament and textiles, and theories of art and art history, including his much-debated neologism <i>Kunstwollen</i> (the will of art). Finally, his <i>Historical Grammar of the Visual Arts</i>, which brings together many of the diverse threads of his thought, is available to an English-language audience in a superlative translation by Yale professor Jacqueline E. Jung. In one of the ear