Film Ecology av Susan (University of Exeter UK) Hayward

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<P>Using the Regenerative economic model - also known as Doughnut Economics - Susan Hayward offers a thought-provoking sketch for a renewed, tentatively revolutionary approach to both film theory and film practice.</P><P></P><P>This book attempts to answer the questions posed by T.J. Demos (in A<I>gainst the Anthropocene</I>, 2017): how do we find a way to address planetary harm and the issues it raises within the field of Film Studies? How do we construct a theoretical model that allows us to visualize the ecological transgressions brought about by the growth-model of capitalism which is heavily endorsed by mainstream narrative cinema? By turning to the model set out in Kate Raworth''s book <I>Doughnut Economics </I>(2017) and adapting its fundamental principles to a study of narrative cinema, <I>Film Ecology </I>proposes to show how, by using this model, we can usefully plot and investigate films according to criteria that are not genre/star/auteur-led, nor indeed embedded in an