Deaccessioning and its Discontents av Martin (President Pergamon Art Group) Gammon

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<b>The first history of the deaccession of objects from museum collections that defends deaccession as an essential component of museum practice.</b><p>Museums often stir controversy when they deaccession works—formally remove objects from permanent collections—with some critics accusing them of betraying civic virtue and the public trust. In fact, Martin Gammon argues in <i>Deaccessioning and Its Discontents</i>, deaccession has been an essential component of the museum experiment for centuries. Gammon offers the first critical history of deaccessioning by museums from the seventeenth to the twenty-first century, and exposes the hyperbolic extremes of “deaccession denial”—the assumption that deaccession is always wrong—and “deaccession apology”—when museums justify deaccession by finding some fault in the object—as symptoms of the same misunderstanding of the role of deaccessions in proper museum practice. He chronicles a ser