Blade Runner

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<P>Ridley Scott¿s <I>Blade Runner</I> is widely regarded as a "masterpiece of modern cinema" and is regularly ranked as one of the great films of all time. Set in a dystopian future where the line between human beings and ¿replicants¿ is blurred, the film raises a host of philosophical questions about what it is to be human, the possibility of moral agency and freedom in ¿created¿ life forms, and the capacity of cinema to make a genuine contribution to our engagement with these kinds of questions.</P><P></P><P>This volume of specially commissioned chapters systematically explores and addresses these issues from a philosophical point of view. Beginning with a helpful introduction, the seven chapters examine the following questions:</P><P></P><UL><UL><P></P></UL><LI>How is the theme of death explored in <I>Blade Runner</I> and with what implications for our understanding of the human condition?</LI><LI>What can we learn about the relationship between emotion and reason from the depiction