<p><b>While many live-action films portray disability as a spectacle, crip animation (a genre of animated films that celebrates disabled people''s lived experiences) uses a variety of techniques like clay animation, puppets, pixilation, and computer-generated animation to represent the inner worlds of people with disabilities. Crip animation has the potential to challenge the ableist gaze and immerse viewers in an alternative bodily experience.</p><p></b>In <i>Animated Film and Disability</i>, Slava Greenberg<i></i>analyzes over 30 animated works about disabilities, including Rocks in My Pockets, <i> An Eyeful of Sound</i>, <i></i>and <i>A Shift in Perception</i>. He considers the ableism of live-action cinematography, the involvement of filmmakers with disabilities in the production process, and the evocation of the spectators'' senses of sight and hearing, consequently subverting traditional spectatorship and listenership hierarchies. In addition, Greenberg explores physical and sens