<b>A privileged look into the life and artistic practice of the experimental filmmaker, music anthologist, and enigmatic polymath Harry Smith.</b><br><br>Best known during his lifetime as an experimental filmmaker and Folkways Records music anthologist, Harry Smith (1923–1991) was a spiritual outsider and one of the most original, influential artists of the mid-century American avant-garde. An avid, inspired collector of old blues and hillbilly recordings during his youth, he became a fan of such bebop jazz as Charlie Parker and Dizzy Gillespie, and began making avant-garde film animations featuring patterns painted directly onto the negatives as visual accompaniments to jazz performances. Smith crossed paths with nearly everyone central to the cultural avant-garde; he lived for art and gnosis with little thought for practical consequences. In 1991, he received a Lifetime Achievement Award at the Grammy Awards in New York.<br><br>Five years after Smith’s death, the poet Pao