Ambivalent

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<p>Going beyond photography as an isolated medium to engage larger questions and interlocking forms of expression and historical analysis, <em>Ambivalent</em> gathers a new generation of scholars based on the continent to offer an expansive frame for thinking about questions of photography and visibility in Africa. The volume presents African relationships with photography¿and with visibility more generally¿in ways that engage and disrupt the easy categories and genres that have characterized the field to date. Authors pose new questions concerning the instability of the identity photograph in South Africa; ethnographic photographs as potential history; humanitarian discourse from the perspective of photographic survivors of atrocity photojournalism; the nuanced passage from studio to screen in postcolonial digital portraiture; and the burgeoning visual activism in West Africa.<br/>As the contributors show, photography is itself a historical subject: it involves arrangement, financing