<p><b><i>Winner, 2019 Barnard Hewitt Award for Outstanding Research in Theatre History, given by the American Society for Theatre Research</i></b><br/><b><i>Honorable Mention, 2021 Errol Hill Award, given by the American Society for Theatre Research</i></b><br/><b>Argues for a conception of black cultural life that exceeds post-blackness and conditions of loss <br/></b><br/>In <i>Afro-Fabulations: The Queer Drama of Black Life</i>, cultural critic and historian Tavia Nyong¿o surveys the conditions of contemporary black artistic production in the era of post-blackness. Moving fluidly between the insurgent art of the 1960¿s and the intersectional activism of the present day, <i>Afro-Fabulations</i> challenges genealogies of blackness that ignore its creative capacity to exceed conditions of traumatic loss, social death, and archival erasure.<br/>If black survival in an anti-black world often feels like a race against time, <i>Afro-Fabulations </i>looks to the modes of memory and ima